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By Angela Jones

This anthology is a symposium on queer area and queer utopias. throughout the presentation of empirical paintings by means of modern queer theorists this booklet goals to create a serious discussion concerning the emergence of queer areas and the ways that they target to extra queer futurity.

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T HE P L AY WIT HIN T HE F IL M 45 30. Hoda El Shakry, “Apocalyptic Pasts, Orwellian Futures: Elle Flanders’s ‘Zero Degrees of Separation,’” GLQ 16, no. 4 (2010): 611–621. 31. , 617–618. 32. Liora Moriel, “Dancing on the Needle’s Edge: Gay Lingo in an Israeli Disco,” in Speaking in Queer Tongues: Globalization and Gay Language, ed. William L. Leap and Tom Boellstorff (Urbana: University of Illinois Press, 2004), 109. 33. Gil Z. Hochberg, In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination (Princeton: Princeton University Press, 2007), 12.

61 While the critic’s reaction is loaded with irony, she attributes the effectiveness of the performance to theatricality. ” Fox’s cathartic relief points to the particularized resonance of Bent in this national paradigm. ”62 While Bent’s hyperrealism proved theatrically effective for some critics, the same realist strategies proved ineffective for other preeminent Israeli voices. Michael Handelzletz reviewed the same production on June 5, 1983, in Haaretz, a competing news outlet. Handelzletz describes a different reaction, recalling the stage rocks that Max and Horst are made to move, one at a time, in a fit of Nazi torture that somehow hints at the aesthetic codes of performance art.

1–2 (2008): 155. 16. Muñoz, Cruising Utopia, 2. 17. Bright Eyes, “First Day of My Life,” I’m Wide Awake, It’s Morning (Album). Omaha, Nebraska, Saddle Creek, 2005. 18. Muñoz, Cruising Utopia, 92. 19. Nir Cohen, Soldiers, Rebels, and Drifters: Gay Representation in Israeli Cinema (Detroit: Wayne State University Press, 2012), 111. 20. Kuntsman, “The Soldier and the Terrorist,” 155–156. 21. il. 22. Muñoz, Cruising Utopia, 189. 23. Raz Yosef, Beyond Flesh: Queer Masculinities and Nationalism in Israeli Cinema (New Brunswick: Rutgers University Press, 2004), 143.

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